huerca zafada

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Posts tagged "dia de los muertos"


Los platillos más preparados en las casas mexicanas para darle la bienvenida a los muertos son por orden de aparición:

1-Corundas michoacanas

2- Pozole (Blanco o rojo)

3-Tamales (con hojas de maíz) 


5-Mixiotes (de conejo o de pollo)

6-Tamales Oaxaqueños (hoja de plátano)

7-Calabazas y Camotes endulzados

8-Tradicional Pan de Muerto

Recordemos que el día de muertos es una celebración regional y que en cada estado es distinto; sin embargo estos son los platillos mas tradicionales que encontraremos en los altares mexicanos.

(just translating the above)

"The most-prepared dishes in Mexican homes done to welcome the dead, listed in order of appearance:

1. Michoacan-style corundas

2. Pozole (red or white)

3. Tamales (in corn husks)

4. Mole

5. Mixiote (rabbit or chicken)

6. Oaxacan-style tamales (in banana leaves)

7. Candied squash and sweet potatoes

8. Traditional Bread of the Dead

Let’s remember that the Day of the Dead is a regional celebration and every state is different; nevertheless, these are the most traditional dishes you will encounter on Mexican altars.”

(via yollopixqui)

Yesterday, I was in a bookstore and picked up a book about Mexican-influenced contemporary art.

One thing that stuck out to me rather quickly during my initial flip-through was the repetition of various elements (luchadors, sugar skulls, Frida) to the point of blurring together. What I noticed next was that many of the artists included in the book did not appears to have any ties to Mexico or to a general Latin@ identity at all.

One could have a very long discussion about what right such individuals have to Latin@ cultural iconography. I’m not particularly interested in going that in-depth, and in all honesty I don’t think it’s impossible for an non-Latin@ to approach the subject respectfully. What I do object to is that kind of repetitive meaningless, that mindless use of images and colors to create the illusion of artistic depth. What I see in the work of many of these artists is that they use Latin@ imagery in the same way many artists have used American imagery of the 50s. However, while use of 50s era imagery is often utilized to subvert the oppressive ideals of the era, the use of Latin@ imagery is mostly integrated in an apparently meaningless manner. Not all art needs to be meaningful, but if a non-Latin@ (particularly a white non-Latin@, particularly an American white non-Latino) is utilizing those images, it’s instantly political, no? What I get is a sense to eagerly purge the Mexican from Mexican imagery, reduce it to something bland and accessible and pseudoinclusive. These are attractive images, therefore we must find some way to squeeze the life out of them.

I doubt it’s a conscious impulse on most of their parts. When their work is set against those of actual Latin@ artists, its shallowness and lack of authentic roots because readily apparent. They lack proficiency in the culture, and rarely if ever use more the subtle and less graphic-friendly cultural symbols that Latin@ artists integrate into their work. They shy away from nuanced political messages. They generalize, rather than explore, ethnic identity.

Frankly, I’m sick of it. Sugar skull pinups and luchadors are boring, they’re flat, in the hands of artists who don’t understand their context. Do they make some pretty things? Certainly, but I’m not going to applaud them for it. It’s tiresome, and worse, it pushes actual Latin@ artists aside. They profit by gutting Latin@ images of their inherent dangerousness so they can be sold to a white supremacist society. The same society is therefore free to impose their own meaning upon them (for one example, see this excellent response to an anon wanting to dress as a Catrina for some vague “death is always close to us” blarghity blargh. You know who was obsessed with that idea? American Puritans! Why aren’t you rushing to reimagine their imagery, rather than attempt to force that meaning onto another culture’s? Is it because you might actually feel compelled to invest some thought into what you’re doing? Is it because bright colors make colonialism and racism that much more palatable.? If you love these images so much, why don’t you try to understand their origin or context, to the extent that it is possible for an outsider to do so?)

P.S. I am not interested in validating white artists, so don’t clog up my ask with your basic-ass questions when you could be reading up instead.

what is with white people hung up on the idea that they should get to dress up for Dia de los Muertos? could you make it any more obvious that you think it’s just an extended Halloween party?


I’m saddened that I can’t really track the Dia De Los Muertos tag without a million pictures of photoshoots of people who have no idea wtf DDLM is with their face painted as a ~kewl & kayute sugar skull~ for halloween!!! <3 <3 and tags like #creepy #odd #spanish #sexy #latin #day of the dead people #costume 

and then the like 5 people who go don’t worry iiiiiii have no problem with people dressing up as a sugar skull for halloween its super cute! idk wtf is other hispanics problems! I LOVE BEING LATIN! 

I made the mistake of going through the Day of the Dead tag and seeing a bunch of white people wearing or planning “sugar skull” costumes

then I remember that Posada created La Catrina to satirize the obliviousness of the upper classes to the condition of poor Mexicans, and all is right again




what the fuck

are you doing

just because you painted skull makeup on your face doesn’t make it día de los muertos.

stop itttttttt

i mean, go ahead and fucking paint your face but don’t tag it as día de los muertos especially if you have no fucking clue what día de los muertos really is.


this has been a post



(via laborreguitina)


Things White People Should Stop Doing: Mexican Parties

You may remember John McCain claiming the Arizona Wallow Fire was started by “people who have crossed our borders illegally,” a less-than-subtle cue to pin it on the Mexican community. Well, it turns out the men charged today are two white guys named Caleb Joshua Malboeuf, 26, and David Wayne Malboeuf, 24. Aside from being a completely false accusation, John McCain’s words spoke of how easy it had become to simply “blame the Mexicans” in today’s political climate.

While some feel this is a vindication, we should be careful not to validate our community’s detractors in the process of correcting the record. With that said, it wasn’t cool and, ultimately, John McCain further tarnished his legacy. 

So, let’s add Blaming Mexicans as the number one thing white people should stop doing. Next on the list: Mexican parties (as seen above), Mexican Halloween costumes, commercializing Dia de los Muertos and, generally, co-opting culture that doesn’t belong to them. 

What else should we add to the list?

(via thinkmexican)